Monday, July 10, 2006

Damn, Chavez really is a communist 

Personally, I never read much into Chavez’s friendship with Fidel, his embracing Mugabe, or even his traveling to North Korea. I certainly didn’t buy into opposition claims that it showed him to be a good old fashioned pinko. But I must now confess, I was wrong. We now have irrefutable evidence that all this talk of 21st Century Socialism is nothing but a cover for his being a plain old communist.

What is that evidence you ask? Simple, the guy is now showing workers in Venezuelan factories Charlie Chaplin films as a way of telling workers that they have rights. Charlie Chaplin – now that guy was a commie if ever there was one.

The Little Tramp's Classic Labor Lesson
Venezuela's socialist government is using a 1936 Chaplin film to educate workers about their rights. Employers are not applauding.
By Chris Kraul, Times Staff Writer
July 9, 2006

LOS TEQUES, Venezuela — In his classic 1936 film, "Modern Times," Charlie Chaplin has to work so fast tightening bolts in a steel factory that he finally goes crazy. In a memorable scene that has become a metaphor for labor exploitation, the Little Tramp is run through the factory's enormous gears.

For President Hugo Chavez's socialist government, the film is more than just entertainment: It's become a teaching tool. Since January, in a bid to expose the evils of "savage capitalism," the Labor Ministry has shown the Chaplin film to thousands of workers in places such as this rundown industrial suburb of Caracas.

When the screenings at factories or meeting halls end, Labor Ministry officials then take their cue, and use Chaplin's plight to spell out worker rights under occupational safety laws passed last year and now being applied. They are part of Chavez's sweeping reform agenda that he calls Socialism for the 21st Century.

Chaplin wanted his Depression-era movie to make a point, that "once inside the factory, workers had no meaningful rights," said Los Angeles-based film historian and Chaplin authority Richard Schickel. "It was very relevant in the moment it was released, a time of social unrest and the emerging U.S. labor movement."

Seventy years later, Chaplin's fable is all too relevant in Venezuela, said several factory workers who saw the film recently.

"The owners still value their machines more than their workers," said Roberto Maldonado, a 29-year-old minimum-wage worker at the Pollo Premium poultry plant, which processes 75,000 chickens a day. "Charlie Chaplin ends up crazy, and I feel that way too sometimes. When I go home, I'm too tired to pay attention to my wife or family."

Freddy Colmenari, a 35-year-old worker at a pasta factory here, said that just as Chaplin's bosses do in the film, his supervisors frequently speed up the assembly line to nerve-racking levels and zealously monitor workers' trips to the bathroom. "There is always pressure and stress," he said.

But the business community here is hardly applauding the film. In a formal complaint to Chavez last month, the four main employer associations in Venezuela said that showing a movie depicting the boss as a "vulgar exploiter of workers" was designed to "generate hate and resentment in the labor sector" and "demonize the employer."

An official at the Venezuelan Confederation of Industries, one of the four signatories, said that the new workplace laws were another example of Chavez punishing private industry, a process the groups say has been unrelenting since a failed 2002 coup led by businessman Pedro Carmona.

While insisting they don't oppose workplace safety improvements, business groups here say that they weren't consulted before the new laws were drafted and that now workers and their delegates have too much power to intervene in factory operations.

Jhonny Picone, a top Labor Ministry official, said employees needed all the power they could get. He noted that Venezuelan workers were more likely to describe their job as "a curse from God than as something positive."

The grim and dehumanizing factory conditions depicted in the Chaplin film are still the "norm," he said — more than 1,500 workers die and thousands are injured annually in industrial accidents.

Largely at Picone's insistence, the film has been shown 1,000 times in 14 states and has been effective in educating workers who usually have no clue about their health and safety rights. Labor Ministry officials say it's because the most recent workplace regulations, passed in 1986, were unobserved, a "dead letter."

Workers are told they have a right to demand safety and hygiene precautions, and, through an employee-elected delegate that represents each factory, even to shut down production if owners don't comply. Egregious and repeated safety violations can result in the government taking over a plant.

"With Charlie Chaplin, it's easier to catch the attention of workers who are often too tired or don't trust the government in the first place," said Picone, a doctor named by Chavez to head a new Labor Ministry agency that he compared to the U.S. Occupational Safety and Health Administration.

The workplace laws are a facet of Chavez's often-mentioned goal of installing a new socialist economic model to replace the globalized free-market version that the president says has failed.

The "popular economy" model includes a return to state-controlled central planning that reminds many of the Soviet era. Bankrolled by the country's oil wealth, Chavez has financed a number of worker-owned cooperatives that run factories and farms that the government has built or taken over.

"It's by no means dominant yet. It's gradually being built up by a process of trial and error," said a Chavez administration official who asked not to be named. "But in the longer term, the popular economy model will be dominant."

But one industrial leader who asked not to be identified said that the business climate was abysmal, and that factory production, industrial jobs and private investment had plummeted since Chavez took power in 1999.

"How much of this policy is revolution and how much is castigation, I don't know," he said.

Critics say Chavez is merely recycling the failed protectionist economic policies that many South American nations tried to impose after World War II to keep out foreign capital and competition. The policies were largely jettisoned in the 1980s as countries began embracing free markets and foreign investment.

Business interests also cite Chavez's decision to pull Venezuela out of the Andean Community as another example of his bias against the private sector. The regional trade group, known as CAN, was too U.S.-dominated, the president said. But one member, Colombia, is Venezuela's second-largest trading partner, and businesspeople here are worried that they will lose tens of millions of dollars in trade as a result.

On Tuesday, Venezuela formally joined the Mercosur trade bloc, whose members include Brazil, Argentina, Paraguay and Uruguay. Chavez told delegates in Caracas, Venezuela's capital, that he made the switch to avoid being "devoured by imperialist strategies, as happened with CAN."

But Venezuelan producers will have a tougher time competing in the Mercosur arena, said Jose Luis Betancourt, president of Fedecamaras, Venezuela's largest business chamber.

He criticized the new workplace measures. "The law will only generate less efficiency, less [industrial] capacity and make the Venezuelan economy more dependent on high oil prices, which won't last all our lives."

Chavez's adversaries in the business sector scoff at the Chaplin film screenings as an example of the president's simplistic, outdated and decidedly business-unfriendly economic policies.

But for poultry plant worker Maldonado, Charlie Chaplin has made a difference at work.

Inspired by the film and the talk from Labor Ministry officials, he demanded gloves and soap from his employer — and got them. But the assembly line still goes too fast, he said.

Metalworker Miguel Moreno also has seen some improvement. "We have more power because we know more," he said. "They've given me earplugs for the noise, at least."

Film historian Schickel said, "Chaplin would just love that his film is still relevant to modern social conditions, that a modern-day leftist politician in Latin America would find this film to be a useful tool."


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